Monday, September 6, 2010

Two Poems and a Time Out

Though you cast your net

A thousand times and more,

A million shinning fishes

Live and wriggling on the sand,

You can never catch the Sea,

Or hold it in your hand.

As some readers of this blog may know, I was the recipient of a liver transplant a little over two years ago. It was, in fact, the transplant experience that first stimulated me to begin writing poetry on a regular basis. Within a few weeks of the transplant I developed a persistent bile leak that has been a constant source of trouble for me, causing constant pain and landing me in the hospital on a regular basis. The doctors placed a trans-hepatic drain through my new liver in an attempt to allow the leak to heal. It has failed to do so. As a result, I am having corrective surgery done on Wednesday morning, September 8th.

I'll be in hospital for a week or so and laid up for the better part of a month. Before I do so, I would like to thank my friends and readers for your encouragement and support through these last two years. I hope to be back soon and posting new work here.

I'm posting two poems today, the first above this text was written earlier today, inspired by something I was reading in the classic "Blue Cliff Record" , Case #38, where Feng Hsueh speaks of "... scouring the oceans fishing for whales, I regret to find instead a frog crawling in the muddy sand". The second, below, is one of those nagging little intruders that appear sometimes during meditation. I'm often not exactly clear on what they mean. What, for instance, is the handout that the self comes looking for so tenaciously? Any thoughts?

Who is this,

Tugging at my eyelids?

Just myself, again, I'll wager,

Come poking 'round

Between the breaths,

Looking for a handout!


The net-casting image was taken from:
http://www.depthastrology.net/tools/for-entrepreneurs-part-v/

Friday, August 20, 2010

Shine



Everywhere, it shines.

In its light, all things are bathed.

Every eye is set upon it,

And we cannot look away.

No matter which direction,

We face a radiance undimmed.




Tuesday, August 10, 2010

Which Bird?




Look now, there in the garden!

Tell me what you see.

Is that the Blue Bird of Happiness,

Or just a gray bird of regret?

No matter either way,

Don't be concerned.

For no bird alights for long...

Gone on the next breeze!


We all know these birds. We see them in the garden of our mind, coming and going without end. No need to try to catch one, you're bound to see it again soon enough, with any luck at all. Find a comfortable spot to sit and simply watch them come and go, you'll find a great peace settling about you.
Now, that's a rare bird!


This saucy Scrub Jay is just like the one's who daily great me as I leave the house every morning. The above image was created by Sherlocdonatello.
You'll find it at: http: //www.zazzle.com/sherlockdonatello



Friday, July 30, 2010

Imprisoned and Free



The warden's in his locked cell,

Crying out that he can't see.

When he learns he is the prison,

Then he'll know that he is free.


This little poem came to me today while sitting Zazen at the Vista Zen Center. Perhaps I should have not allowed myself to become so distracted, but these poems often force themselves on me and are most insistent!


Rembrandt's Peter in Prison from Zenit.org @; http://www.zenit.org/article-18082?l=english

Friday, July 16, 2010

Baizhang Was A Very Bad Man



That Baizhang was a very bad man.

Since I met his wild fox

My eyes are open day and night,

Fixed on the wheel

That follows the foot

Of the ox that draws the cart.

If you're fond of sleepy dreaming, beware!

One look at this red-tailed devil

And the Age of Miracles

Is at an end.

"Cause and effect are very clear, and not a personal matter."


"Baizhang's Fox" is Case #2 in the seminal koan collection Mumonkan. It has been widely studied and commented on by many Zenists through the ages, but no more thoroughly or cogently, I think, than by Master Dogen. In addition to the famous essay in his Shobogenzo, he spoke in reference to it on six occasions in the chronicle of his dharma talks, Eihei Koroku. This poem was born while reading one of these, Dharma Hall Discourse #94 (pg. 135, Dogen's Extensive Record, trans. Leighton & Okumura.) Cause and effect are indeed not a personal matter, the Universe plays no favorites. If this were not so, gods and demons would crowd the landscape, leaving nowhere to even put one's foot down!

The wheel that follows the foot of the ox that draws the famous cart is from the opening passage of the Dhammapada, the Pali text that was the very first Buddhist text I ever laid eyes on, an image that has stayed with me all my life.

This fine looking fox comes from the Flicker Hive Mind site. To see more of their great photo selection, check 'em out at:

Saturday, July 3, 2010

Drop by Drop



There is a quiet

Mountain brook,

Running peacefully and

Clear.

I put it in my mind,

Drop by

Drop.

I awoke at 1:30 this morning with this poem fully composed in my dreaming mind, complete just as you read it here. To anticipate your question concerning this running water image, yes, I did have to go to the bathroom! But I went there only to turn on the light and write the poem down in my notebook, not wanting to wake my wife with the light. Once written, I went back to bed, only to get back up a few minutes later to write down the following lines, which popped into my head and would not leave me alone until also written down. My poetry-composing mind was simply racing and would not let me sleep until I did its' bidding and committed these lines to print!.


I can't predict,

It's true,

The midnight poem's

Sudden birth.

But well I know

The 5 AM alarm

That's coming with

The dawn.


A cloudburst

Followed by

A steady

Drizzle.

The photo image above is the work of the very talented nature photographer B.K. Bishar, and is used with his kind permission. Thanks Bishar!

Friday, June 25, 2010

No Thorns in the Void



There are no thorns in the void,

Though you may pull

With all your might

You never can extract them.


There are no thrones in the void,

Though you may strive

All the days of your life,

You never will ascend them.


Mistaking one for the other

Will not make your task any easier,

For there are no thorns,

There are no thrones

In the void.


Now just answer me this,

Who is it that pulls?

Who is it that strains?

Who is it that puts their bloody

Shoulder to the wheel?


When there are no thrones,

You see,

No thorns,

In the Void.


I find myself these days spending far more time in the hospital than I would like. But I also have found the enforced quiet time of a three day stay to be quite conducive to study, reflection and especially to writing poetry. This poem had its' genesis in the reading of Thomas Cleary's translation of the Sui dynasty classic "Mo-ho Chih-kuan", or "Great Stopping and Seeing".

Written some time in the Sixth century, this work is a collection of lectures by the great T'ien-t'ai master Chih-i, and is a comprehensive course on the practices of Buddhist meditation. This work was one of the so-called Three Great Works of T'ien-t'ai Buddhism, but was also a source book for both Pure Land and Zen practitioners. Cleary's translation covers only the first quarter of the massive text, but it is a fascinating read.

It was rather late one night when I came across the line "There are no thorns in the void.", but my tired eyes at first saw "throne" instead of "thorn". I realized my error right away, but the thought took hold, a juxtaposition of these two words seemed to yield intriguing associations and a poem was born.

If you'd like to read "Stopping and Seeing" for yourself, it is available in the collection "Classics of Buddhism and Zen - Volume Five" by Thomas Cleary, from Shambala Publications.